Danae detail 3 by Rembrandt, 1636-1647

 
Danae detail 3 by Rembrandt Van Rijn
 
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Rembrandt Van Rijn


Literature excerpt(s) related to Rembrandt and Danae

From Rembrandt by Wikipedia( published in 2008)

It was during Rembrandt's Leiden period (1625-1631) that Lastman's influence was most prominent. It is also likely that at this time Lievens had a strong impact on his work as well.[35] Paintings were rather small, but rich in details (for example, in costumes and jewelry). Religious and allegorical themes were favored, as were tronies, half-length figures not intended as specific portraits.[35] In 1626 Rembrandt produced his first etchings, the wide dissemination of which would largely account for his international fame.[35] In 1629 he completed Judas Repentant, Returning the Pieces of Silver and The Artist in His Studio, works that evidence his interest in the handling of light and variety of paint application, and constitute the first major progress in his development as a painter.[36] A typical portrait from 1634, when Rembrandt was enjoying great commercial success. During his early years in Amsterdam (1632-1636), Rembrandt began to paint dramatic biblical and mythological scenes in high contrast and of large format (The Blinding of Samson, 1636, Belshazzar's Feast, c. 1635 Danaë, 1636), seeking to emulate the baroque style of Rubens.[37] With the occasional help of assistants in Uylenburgh's workshop, he painted numerous portrait commissions both small (Jacob de Gheyn III) and large (Portrait of the Shipbuilder Jan Rijcksen and his Wife, 1633  more




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