The Death of Seneca by Peter Paul Rubens, 1612-1613

 
The Death of Seneca by Peter Paul Rubens
 
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Peter Paul Rubens

This is a depiction from an account by Tacitus, in which the philosopher, anticipating his death at the hands of his former pupil Nero, took his own life by cutting his veins, speeding the process by standing in hot water.

He is accompanied by a doctor whom the philosopher had befriended and a disciple who eagerly takes down his last words, while Nero's soldiers watch in the background.

Moretus, in his foreword to the Lipsius edition of Seneca's writings, makes much of the artist's use of authentic images of the Roman philosopher, although ironically both sources were wrongly identified at the time as portraits of Seneca.

For the head Rubens used the bust in his own collection, while the body is based on the sculpture, now known as the African Fisherman, which Rubens had copied several times when he saw it in the Borghese collection in Rome. At the time the sculpture was identified as the dying Seneca and was placed in a marble bowl.

In this very deliberate adaptation of antique sculpture the artist demonstrates his belief that "the imitation ... must be judiciously applied, so that it may not in the least smell of the stone."

Especially admirable in this large panel is the transformation of the realistically gruesome representation of the philosopher's suicide into an image of nobility and strength, made the more imposing by the low viewpoint.

The grouping of the figures, closely knit both formally and psychologically in a shallow depth, offers further evidence of the picture's classical source by imitating the qualities of the sculpted bas-relief, one of the major forms of antique sculpture.





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