Albrecht Durer (1471-1528)

Albrecht Durer "Satyr Family" (1505) Art Institute, Chicago	Albrecht Durer "Nuremberg and Venetian Women" (1496-1497) Stadelsches Kunstinstitut, Frankfurt	Albrecht Durer "Study of Hands" (1506) Blasius Collection, Braunschweig	Albrecht Durer "Winged Man, in Idealistic Clothing, Playing a Lute" (1497) Staatliche Museen, Berlin
Albrecht Durer "Portrait of the Artist's Mother" (1514) Staatliche Museen, Berlin	Albrecht Durer "St Jerome (detail)" (1521) Museu Nacional de Arte Antiga, Lisbon	Albrecht Durer "Rhinoceros" (1515) British Museum, London	Albrecht Durer "St Christopher Facing to the Right" (1521) Metropolitan Museum of Art, New York
Albrecht Durer "Adam and Eve" (1504) The Pierpont Morgan Library, New York	Albrecht Durer "Portrait of a Young Man" (1521) British Museum, London	Albrecht Durer "Adam and Eve" (1504) Staatliche Kunsthalle, Karlsruhe	Albrecht Durer "Madonna of the Pear" (1512) Kunsthistorisches Museum, Vienna
Albrecht Durer "Triumphal Arch (entire view)" (1515-1517) Germanisches Nationalmuseum, Nuremberg	Albrecht Durer "The Large Passion: 9. Last Supper" (1510) Graphische Sammlung Albertina, Vienna	Albrecht Durer "Harrowing of Hell; or, Christ in Limbo" (1512) Metropolitan Museum of Art, New York	Albrecht Durer "Abduction of Proserpine on a Unicorn" (1516) Metropolitan Museum of Art, New York
Albrecht Durer "Female Nude" (1493) Musée Bonnat, Bayonne	Albrecht Durer "Madonna and Child (Haller Madonna)" (1498) National Gallery of Art, Washington	Albrecht Durer "Self-Portrait" (1521) Kunsthalle, Bremen	Albrecht Durer "The Stork" (1515) Musée d'Ixelles, Brussels
Albrecht Durer "Three Peasants in Conversation" (1497) Metropolitan Museum of Art, New York	Albrecht Durer "The Sea Monster" (1498) Metropolitan Museum of Art, New York	Albrecht Durer "Samson Killing the Lion" (1498) British Museum, London	Albrecht Durer "The Whore of Babylon" (1498) British Museum, London
Albrecht Durer "Crucifixion" (1495-1498) British Museum, London	Albrecht Durer "Resurrection" (1512) Metropolitan Museum of Art, New York	Albrecht Durer "Death and the Landsknecht" (1510) British Museum, London	Albrecht Durer "Jakob Fugger, the Wealthy" (1518-1520) Staatsgalerie, Augsburg
Albrecht Durer "Study of a Man Aged 93" (1521) Graphische Sammlung Albertina, Vienna	Albrecht Durer "Coat-of-Arms with a Skull" (1503) Art Institute, Chicago	Albrecht Durer "Portrait of a Young Venetian Woman" (1505) Kunsthistorisches Museum, Vienna	Albrecht Durer "Betrayal of Christ" (1508) Metropolitan Museum of Art, New York
Albrecht Durer "The Four Witches" (1497) Germanisches Nationalmuseum, Nuremberg	Albrecht Durer "St Jerome in His Study" (1511) Biblioteca Ambrosiana, Milan	Albrecht Durer "Courtyard of the Former Castle in Innsbruck with Clouds" (1494) Graphische Sammlung Albertina, Vienna	Albrecht Durer "Eve (detail)" (1507) Museo del Prado, Madrid
Albrecht Durer "The Temptation of the Idler; or The Dream of the Doctor" (1498) Metropolitan Museum of Art, New York	Albrecht Durer "St Eustace" (1501) Fogg Art Museum, Cambridge	Albrecht Durer "Nemesis or Good Fortune" (1502) Staatliche Kunsthalle, Karlsruhe	Albrecht Durer "The Large Passion: 12. The Resurrection of Christ" (1510) Graphische Sammlung Albertina, Vienna

Sun-Sentinel	Biblical reading, picture by picture Sun-Sentinel - 6 Feb 2012 at 4:47am His Four Horsemen of the Apocalypse are filmy and impressionistic. His picture "Coming in the Clouds" shows the desert, barren tree and limp watch of a Dali picture. Look closely at his more complex canvases, and you may spot Freud, Stalin, Shakespeare ...
">'Visions of the Apocalypse': S. Florida artist paints all 404 verses of Revelation Sun-Sentinel - 3 Feb 2012 at 6:23pm His Four Horsemen of the Apocalypse are filmy and impressionistic. His picture "Coming in the Clouds" shows the desert, barren tree and limp watch of a Dali picture. Look closely at his more complex canvases, and you may spot Freud, Stalin, Shakespeare ...
Valley Advocate	Art in Paradise: Italian Echoes Valley Advocate - 17 Jan 2012 at 8:13pm In later efforts, some of them his best known works ( including "Melencolia I," "St. Jerome in His Study," "The Four Horsemen of the Apocalypse"), it's fascinating to observe the dramatic distances his compositions depict. In a print of Adam and Eve, ...